Was the Gotthard Base Tunnel Opening Ceremony an Illuminati Ritual Intended to Honor Satan?
The opening ceremony of the Gotthard Base Tunnel in Switzerland featured a “goat-man” that dies, is resurrected, is worshipped and is crowned as “the king of the world.”
The “goat-man” that played such a key role in this performance bore a striking resemblance to Baphomet, which in recent decades has become one of the key symbols used to represent Satan in the occult community. So could it be possible that this entire ceremony was actually an Illuminati ritual that was intended to honor Satan? Don’t pass judgment until you see the videos.
On Wednesday, June 1, the long-awaited opening ceremony of the Gotthard Base Tunnel in Switzerland finally took place. It is the longest and the deepest railroad tunnel in the entire world, and it took 17 years to build. It is 35 miles long, more than 2,000 meters deep in places, and the construction of this unprecedented tunnel cost a grand total of more than 11 billion euros.
So the opening of this tunnel was quite a big deal over in Europe. Prominent European politicians such as German Chancellor Angela Merkel, Italian Prime Minister Matteo Renzi and French President Francois Hollande were all in attendance, and they were treated to an incredibly bizarre opening ceremony that cost approximately 8 million euros to produce. From Switzerland, this opening ceremony was broadcast on television all over the world, and so countless numbers of people were exposed to it.
The opening ceremony consisted of two parts, and in both parts the central figure was a “goat-man” that was eerily reminiscent of Baphomet. If you are not familiar with Baphomet, the following comes from a BBC article about the giant statue of Baphomet that was unveiled in Detroit last year:
The best-known modern image of Baphomet was drawn in 1856 by the French occultist Eliphas Levi, in his book Transcendental Magic: Its Doctrine and Ritual.
He envisaged a winged hermaphrodite with a torch between his horns and a pentagram on his forehead.
Its arms bore the Latin words SOLVE (separate) and COAGULA (join together)—the powers of “binding and loosing” usurped from God.
Levi’s drawing was the inspiration for the Satanic Temple’s new monument.
“It contains all these binary opposites—above and below, part animal, part human. Male and female,” says Greaves.
“It embodies opposites and celebrates contrasts.”
In modern times, Baphomet is well-understood to represent Satan or the human embodiment of Satan.
That is why the fact that this “goat-man” was the central figure of this opening ceremony was so deeply disturbing. The first part of the ceremony was held underground, and as TruNews has detailed, the “goat-man” died, was resurrected and was worshipped during this portion of the performance.
The performance began with a cohort of miners dressed in orange jump suits, marching like zombies toward the tunnels entrance (depicted on a video screen). The miners were then seemingly sacrificed to the tunnel and emerged as veiled spirits (represented by dancers in underwear with white wedding veils), and an actor dressed as a goat sprung out and began ritualistically consuming and mating with the veiled dancers. During this segment a headshot of the actor dressed as a goat was displayed on the video screen with a black and red backdrop and an absorbing fire lofting around his face, while three Egyptian scarabs floated in front of the screen. The next scene shifted to pagan druid ceremony, with the actors now draped in black subdued clothing and adorning nests, plants and trees on their heads. As the goat man laid on the floor an upside down tree was displayed on the video screen and the actors chanted a song in a mix of Ancient Germanic and Italian. The ceremony ends with the goat man being resurrected and worshipped as he is introduced to technology, industry and modern society — with many of the actors clothed as cross dressers, drifters and harlots.
The second part of the ceremony was conducted above ground, and once again the “goat-man” took center stage. The following comes from Vigilant Citizen:
Three workers hang in the air, apparently dead.
The workers are replaced with three creepy ghosts.
We then see them floating in front of a giant All-Seeing eye. Is the elite celebrating human sacrifice?
While the goat-man runs around on stage, screaming like a possessed man, the big screen displays images of the goat-man looking extremely evil. Three scarabs float in front of him. Does Satan see the three dead workers as mere insects?
As people dressed in white bow down to the goat-man, a circle of eyes watches over them, confirming that this was one big, blatant, Satanic ceremony brought to you by the occult elite.
You can view video footage from the second half of the ceremony right here. But let me stress that children should not be watching this.
So let me see if I have got the facts straight.
- The central figure in this production was a “goat-man” that bore a striking resemblance to Baphomet.
- In the occult world, Baphomet is often a symbol of Satan or the human embodiment of Satan.
- During the ceremony, the “goat-man” dies.
- During the ceremony, the “goat-man” recovers from his fatal wound.
- During the ceremony, the “goat-man” is worshipped by everyone else.
- During the ceremony, the “goat-man” is crowned as the ruler of the world.
Is it just me, or does that sound like it is a description of the one commonly known as the Antichrist?
For a very long time, global secret societies have conducted their dark rituals out of the view of the general public, but we appear to have entered a time when they are becoming much bolder.
These days, we are seeing these sorts of “Illuminati rituals” just about everywhere. We have seen them regularly at major awards shows, in music videos, in television shows and movies, and even at the Super Bowl.
So why do these same themes keep popping up over and over again?
Darkness is rising, and it isn’t going to be satisfied until it has gripped the entire planet. And at this point the elite have become so bold that they aren’t even hiding what they plan to do to us anymore. {eoa}